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Not all stoppers are over-the-top lighting tours de force. Some stop you with quiet, elegant confidence. Or great composition. Or a strong connection. Such is the case with photographer Bret Hartman's portrait of human rights activist Chad Griffin for The Washington Post.
Honestly, as an online reader I barely even notice The Post's print edition anymore. But sitting on the kitchen table, Hartman's section-front portrait stopped me in my tracks.
As an LA-based freelancer for The Washington Post, Hartman is always auditioning for the next assignment while he is shooting the current one. Which is very different than being a staffer. Here's what that's like. Read more »