Editor's Note: Contributor Sara Lando continues her three-part series chronicling her 10-day stint as an assistant/mole with Gregory Heisler in Dubai. This is part three. Part one is here.
Whenever I spend enough time shadowing a photographer, I end up lusting for gear. Don't judge me: you probably wouldn't be reading Strobist if you didn't have the same problem.
A week spent with Heisler had me definitely interested in playing around with gels, made me want to trade my octabank for a strip light, definitely added a tilt-shift lens to my wish list, but what impressed me the most is what he calls "the unsung hero of light modifiers": the narrow beam reflector.
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Whenever I spend enough time shadowing a photographer, I end up lusting for gear. Don't judge me: you probably wouldn't be reading Strobist if you didn't have the same problem.
A week spent with Heisler had me definitely interested in playing around with gels, made me want to trade my octabank for a strip light, definitely added a tilt-shift lens to my wish list, but what impressed me the most is what he calls "the unsung hero of light modifiers": the narrow beam reflector.
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